Jenga 1.0: Project Overview

As our first project of the semester, Jenga 1.0 shot us full force into the new semester. We had only three weeks to cultivate ideas, compose and render a series of technical drawings, and create a well-crafted three-dimensional model of each space. In addition to the seemingly impossible time crunch, this project also presented use with numerous other intellectual hurdles over which we had to leap. These include the following: specific sizes and specifications for each space "i.e. interior dimensions, rules for the size, number, and placement of doors and windows;” the utilization of one of three kits of parts in each space (one wall and two columns, two walls and one column, or two "solids"); and finally, probably the most difficult challenge of them all, we were assigned a concept word at random on which we had to base our designs. My word in particular was "Pendulate, " which, for the record, does not even exist according to the Merriam Webster dictionary. In fact, the most information I could find on the meaning of my word was, "to swing as a pendulum." Which, by my standard of intellectualism I found quite obvious. Thus, leaving the majority of the work up to my creativity, rather than basing each space upon a literal, and definable meaning.

For the first, and most narrow space (only 11' wide), I designed based on the idea of mood swings. In this space I used two "pendulating" walls creating a modular design that can be changed in accordance to the clients particular mood. In fact, one of these walls can fold flat against another, allowing for maximum open space if desired.

The second space I designed as a study of the geometry of the arch. This can be seen in the single curvilinear screening wall, and the curvilinear details found throughout that accompany it. In addition, the two columns in this space act as a barrier that forces the client to make a change in the complete opposite direction in order to reach the other side. This also creates arched patterns of movement within the space as well.

The third, and the largest of the three spaces, I designed with the passage of time in mind. To evoke this idea I made use of the two solids. The first I designed as curved wall that leads into a floor indention at its center. This serves as a representation of the implied arch that occurs in the swinging of a pendulum. This wall has shelves in it on which the client can step up and down as they perform their daily tasks. These shelves also very in width to accommodate such activities as sleeping and dining (the bottom one of the two sets). The second of the two solids is a curvilinear shape that is closed at one end. This is to accommodate more private activities such as bathing and dressing. Both of these solids work together in that both their structural bases are stone. The first represents the unchanging nature of the passing of time, and the second makes reference to our first primitive dwellings as human beings (also evoked by the low ceilings). In addition, the two solids together create a variation in heights. Which together with their curvilinear form create another arched pattern.